A profile of the Canadian artist, whose works explore the relationship between technology and racial oppression.
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Revisiting the 1969 MoMA exhibition Wall Hangings.
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Myths of Japanese minimialism.
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A profile on the occasion of Brackens’ disrupted exhibition blessed are the mosquitos.
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At long last.
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Curated for The Aldrich Contemporary Museum, November 24, 2019 to October 4, 2020
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Going deep with the work of a great Italian avant gardiste.
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Revisiting the Pattern and Decoration Movement, the twentieth century’s last avant garde.
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An experiment in making, curated for the Crafts Study Centre in Farnham and the Museum of English Rural Life in Reading.
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A new generation of design critics is talking. Are you listening?
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An unprompted reflection on an art world controversy.
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Ceramics enter the digital age… and win.
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Contemporary design occupies a Venetian architectural masterpiece ,
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Considering the multifaceted career of the great Italian radical designer and theorist.
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A review of Isaac Julien’s cinematic imagining of the great abolitionist Frederick Douglass.
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Reading the great fiber artist in light of Rosalind Krauss’ forty-year-old essay.
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Down and dirty, though not without glamor, with jeweler William Harper.
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Thomas Heatherwick’s Vessel, a new project for Hudson Yards in New York City, is like a Hollywood special effect let loose in the landscape.
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Was Lucio Fontana, at heart, just an easily distracted ceramist?
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A memory tour of the European Ceramic Work Centre in the Netherlands, showcasing the skills of the facility’s technical advisors.
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